Volume 18
Social Practices, Rituals and Festive Events, Others
Intangible cultural heritage as a resource for ‘self-stakeholderisation’: fieldwork among politically active civil society stakeholders in the province of Vojvodina, Serbia
Intangible cultural heritage as a resource for ‘self-stakeholderisation’: fieldwork among politically active civil society stakeholders in the province of Vojvodina, Serbia
Portraying feminist beliefs and transcending cultural norms: Korean women artists’ reinterpretation of songs traditionally performed by men
Heritage preservation vs. adaptation to achieve sustainability – A case study of the Fishermen’s Dances, Rizhao city, Shandong province, China
Integrating ICH and education: A review of converging theories and methods
‘Our Culture is dying’: Safeguarding versus representation in the implementation of the UNESCO ICH Convention
The Origin Myth of Sun and Moon in the Andean and Korean Traditions*
‘We paint stories we heard from our ancestors’: Intangible heritage of the Pardhan Gonds of Central India
UNESCO’s intangible cultural heritage and its polarising nature: A case study on Aalst Carnival
Documenting an endangered Cambodian musical tradition: Unexpected findings on the provenance of the British Museum’s “Asset 1380796001”
Uncast in stone: Inspired by absence to build a solid museum practice
Exploring sonority embedded in cultural heritage: Path, transit and listen through the Silver Route (Way of St James, NW Spain)
Turkish bath tradition: The example of Gaziantep, Turkey
Cultural impacts of state interventions: Traditional craftsmanship in China’s porcelain capital in the mid to late 20th century
Renewing museum meanings and action with intangible cultural heritage
Research flows and results of studies on intangible cultural heritage: A network analysis of articles in related international journals, 2002–2020
Intangible cultural heritage and societal gender structures: An interview study focusing on changes in gender roles and gender restrictions in Japanese float festivals
Safeguarding ritual practices in the limestone cave areas along the Swahili coast of the Indian Ocean in Tanzania
The conservation and management of intangible cultural qualities as the fragments of the spirit of place: The case of the Istanbul Land Walls
An approach to enhancing contemporary handmade products with historic narratives
Living site, living values: the Matendera festival as practice in community conservation and presentation
Wangkarra : communication and the verbal arts of Australia’s Western Desert
Intangible heritage in the United States: a history of separate initiatives
Beyond the intangible/tangible binary: an analysis of historic built environments in Valencia, Spain
Cross-cultural understanding of Chinese traditional puppetry: integrating digital technology to enhance audience engagement
(Co-)curating the rural traditions and material culture of villages: a case study in Wanju, Korea
‘Grandfather Tree’: Ute Horror at the Killing of a Heritage Tree
In Search of Honour: Eya Ebule as a Legacy of Igbo resistance and food security from World War 2
Tide and Time: Korean Fishermen's Traditional Knowledge of Multtae in Gomso Bay
Brief biographies of the Authors
Liquid Gold: Berber Women and the Argan Oil Co-operatives in Morocco
Flooded Lands, Forgotten Voices: Safeguarding the Indigenous Languages and Intangible Heritage of the Nubian Nile valley
Brief Biographies of the Authors
Mystical Music: Safeguarding Sufiana Mausiqi - a Vanishing Art Form of Kashmir
‘All Hands on Deck’: the ‘Sailing’ Landships as unique Cultural Icons of Barbados
Masquerade as Memory: Conflict as Heritage in Lavras do Abade, Brazil
Ụzọ mma: Pathway to Intangible Cultural Heritage in Otobo Ugwu Dunoka Lejja, South-eastern Nigeria
The Name of the Game: Oware as Men’s Social Space from Caribbean Slavery to Post-Colonial Times
Chuskor: Traditional Water Mills of the Dirang Monpas of Arunachal Pradesh
The Fiesta of the Patios: Intangible Cultural Heritage and Tourism in Cordoba, Spain
Ghost of the Forest: the Tangible and Intangible in Natural and Cultural Heritage
Food for the Soul: Eternal Co-existence in the Mayan-Catholic Traditions of Pomuch, Mexico
Common Histories, Constructed Identities: Intangible Cultural Heritage and the Rebranding of Serbia
An Integrated Methodology for the Conservation of Traditional Craftsmanship in Historic Buildings
Why Local Governments Matters in Implementing the UNESCO 2003 Convention: the Case for ICCN
IJIH Subject Index
Sacred water: rediscovering the ancient hydraulic system of Angkor and traditional knowledge of water management and engineering systems
Marshal Nezha ‘transformed’: Techno Nezha in Taiwan
The value of memory: Suakin’s cultural heritage - significant for whom?
A network of traditional knowledge: the intangible heritage of water distribution in Bahrain
Bruegel and Burke were here! Examining the criteria implicit in the UNESCO paradigm of safeguarding ICH: the first decade
Altai Kazakh falconry as ‘heritage tourism’: the Golden Eagle Festivals of Western Mongolia
Losing our Masks: Traditional Masquerade and Changing Constructs of Barbadian Identity
Ethnological Values and Opportunities for Establishing a Heritage Policy around Tuna-trapping in Andalusia (Spain)
Challenges Surrounding the Survival of the Nishijin Silk Weaving Industry in Kyoto, Japan
The Intangible Cultural Heritage of Wales: a Need for Safeguarding?
Barbadian Bio-cultural Heritage: an Analysis of the Flying Fish
A Sense of Place: Re-purposing and Impacting Heritage Resource Evidence through Digital Heritage and Interpretation Practice
The Ritual of Boat Incineration on the Island of Vis, Croatia: an Interpretation
Asian Indian Celebrations of Ethnicity: Perspectives from the Mid-western United States
The System of Sponsorship for Processional Images and the Traditions Associated with them in Cabiao, Nueva Ecija, the Philippines
The Catalan Fishermen’s Traditional Knowledge of Climate and the Weather: a Distinctive Way of Relating to Nature
Contemporary Falconry in Altai-Kazakh in Western Mongolia
The Documentation of Endangered Altaic Languages and the Creation of a Digital Archive to safeguard linguistic diversity
Safeguarding the 'path of the souls' : the Don Bosco Museum of Cultures
Fresco: intangible heritage as a key to unlocking the links between the conservation of biological and cultural diversity in Alamos
Conceptualising intangible heritage in the Tropenmuseum, Amsterdam: the Layla and Majnun story as a case study
Crossing Cultures through the Intangible Heritage: an Educational Programme about Migration in Greece
Linking the Present with the Past through Intangible Heritage in History Museums
Free standing dry-stone-walling at Matendera, and the crown of the kopje from which the granite used to build the monument was sourced.
Traditional performances during the Matendera festival.
Participants showing traditional dishes they have prepared for the cooking competition.
Traditional dances performed by school children from nearby schools.
Graphic elements in a sand story, representing people (‘U’ shapes), a fire, artefacts, and an enclosing shelter. Drawing by Elizabeth Marrkilyi Ellis.
Purrungu by Elizabeth Marrkilyi Ellis, 2016. This painting is of the country around Purrungu which was created by the Kutungu Woman in the Tjukurrpa
The WDVA team documenting sand storytelling in the Ngaanyatjarra Lands.
Leaves and other small objects are used to represent characters in sand stories.
Tjarlirli by Esther Giles, 2016. This painting is of the waterholes and sandhills of Esther Giles’ traditional country around Tjarlirli.
Joella Butler, 2013. ‘Tjalaku – Going for honey ants in the Toyota’.
Sheila Kay Adams, story teller, banjo player and NEA Heritage Fellowship recipient.
Hula performance, Hawaii Volcanoes National Park.
Virginia string band, Ballard Branch Bogtrotters Band (1934-1942), Galax, Virginia, 1937. The types of folk traditions recorded through early federal recording efforts.
The Smithsonian Folklife Festival, 2002.
Donald Chosa Jr. Traditional rice gathering in Minnesota, Mark Sauer.
Nansemond tribal members recognised by the Commonwealth of Virginia in 1985.
Preparing for local ceremony, Kosrae, Federated States of Micronesia.
Hot 8 Brass band at a New Orleans funeral.
The ball pla traditional dancing is celebrated each year in the old bullfighting court of the village of Benassal, Castellón.
The pilgrims of les Useres resting before entering the village after the pilgrimage to Sant Joan de Penyagolosa, Castellón.
The pilgrims of Culla saying their last prayers on the journey to the historic centre of the village.
The Santantonada celebration takes place in a historic context. A huge pile of bushes is burnt in the central square of the village of Forcall, Castellón.
The horse riders -mayorals- enter the crowded village streets on horseback, followed by bulls. Segorbe, Castellón.
Semi-structured interviews and gesture filming, Garlic Theatre, Norwich.
Fieldwork and in-depth semi-structured interviews, Edinburgh International Festival.
Yogang, Juklim village, Gyeongcheon-myeon, Wanju-gun, belonging to Jung-sul Park (71 years old).
Keumsu gangsan (embroidery) by Bo-im Han (86 years old), Juklim village, Gosan-myeon, Wanju-gun.
Cotton clothing, Bibong village, Gyeongcheon-myeon, Wanju-gun made by Yeoung-sun Yu (80 years old).
Group interview at Gujae Village Hall in Gyeongcheon-myeon, Wanju-gun.
A jak-du, Juk-dong Village, Hwasan-myeon,Wanju-gun, owned by Bang-rye Kwon (84 years old).
Towel, Bibong village, Gyeongcheon-myeon,Wanju-gun made by Yeong-sun Yu (80 years old).
Wedding vow written by Jae-deok Kim, 1959.
Duri persimmons, Wanju-gun, Gosan-myeon, Daehyang village.
Hemp pants made by Chun-chak Yi (81 years old) Sungjae village, Gosan-myeon, Wanju-gun.
Cotton clothing, Bibong village, Gyeongcheon-myeon, Wanju-gun made by Yeoung-sun Yu (80 years old).
The 2007 sign designating the Grandfather Tree as a Colorado landmark.
Young Ute tribal member in traditional garb speaking to the audience about theimportance of the tree to her heritage.
The Grandfather Tree just before being cut down. According to newspaper reporter Kelly Slivka … it was still green at its crown and stood quietly in the still air with hummingbirds and doves moving through it’s canopy.
Enshrined portion of Grandfather Tree in front of Ute Mountain Ute Tribal Headquarters.
The Grandfather Tree just before being cut down. According to newspaper reporter Kelly Slivka … it was still green at its crown and stood quietly in the still air with hummingbirds and doves moving through it’s canopy.
Remains of the Grandfather Tree killed by the Delta Historical Society.
A winner of the trophy on two occasions displays his eya ebule trophies on both arms.
A masquerader adorned with the eya ebule trophy on both arms.
Tethered ram to be won by the most resourceful labourer.
Tubers of yam and jars of palm wine to entertain the contestants.
Fishermen catching webfoot octopuses in the morning ebb tide.
Sea foam on the rising tide early in the morning in summer.
Fishermen hauling in shrimp nets to dry during neap tides.
Fisherwoman catching akiami paste shrimps near the coast at the low tide.
Fisherwoman carrying a skimming net with shrimps in her hand.
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
Toghu cloth is the traditional cloth worn in the Northwest region of Cameroon.
The argan tree grows mostly in Morocco. Its fruit is an oval berry, the shape of a large and round olive.
A pounder and an anvil are needed for de-pulping.
Pits have to be cracked open with a hammer stone to retrieve the kernels inside.
Berber women milling, pit-cracking and pressing are depicted on a cooperative’s wall.
A millstone comprises a runner stone lodged on top of a bed stone, but millstones for dried goods (first from the left) or for argan oil are shaped slightly different.
The bed stone remains stationary when the runner stone rotates, and through the ‘eye’ in the runner stone, the kernels are funneled down and ground.
From left to right: dried argan fruits, pits and kernels.
Oil extraction machines produce argan oil efficiently.
Pressing is consistently kneading the dough until the emulsion separates from the solid dough. The emulsion is then decanted and filtered
Argan trees are frequently climbed on by goats.
Argan oil soaps and moisturisers are popular souvenirs for tourists.
Nubian musician playing the traditional Nubian instrument - kisir
The First Nubian Culture and Tourism Festival brochure
New Nubian social spaces in Absambal (Abu Simbel), Egypt.
The Nubian Languages and Culture Project launch poster
ELAR archive homepage – a digital repository for Nubian documentation
Lake Nubia/Nasser, part of the Nubian submergence area created by the Aswan High Dam. Many ancient Nubian towns, villages and places are drowned under these waters.
Sufiana artists playing the Tabla and Sehtar from Qaleenbaft Gharana.
The Barbados Landship performing the maypole in theCity of Bridgetown as seen in this 35th anniversarycommemorative stamp.
The Pinelands Creative Workshop children performing Landship at NIFCA.
These dancers perform the Landship at the Crop Over Awards ceremony in 2013.
A view of a section of the square. The three arrows indicate the three Ojiroshi (ojilisi) trees.
Okiti Akpuriagedege Oshimiri - the masked-spirit house.
Three Views of an Oware game board from Ghana, West Africa.
Three Views of an Oware game board from Ghana, West Africa.
Oware Board game in Tidjikja, Mauritania.
Three Views of an Oware game board from Ghana, West Africa.
Two Barbadian master players of Warri in Speightstown.
Matthew Clarke’s Graphic Novel Image of Landships in Third Dimension.
Rangthang and jangpa grinding flour.
The splendour of spring in Córdoba: water and flowers.
The splendour of spring in Córdoba: water and flowers.
Preparing for the festival. The cultural space where the Fiesta is celebrated and prepared - the Cordovan patios - is created from one day to the next, through inherited tradition and the creativity of individual residents.
Transmitting knowledge to future generations. From grandparents to grandchildren,almost like a game, any family occasion in the patios is perfect for transmittingthe essence and values of the Fiesta of the Patios.
Different types of flowers on display in a patio.
Traditional decoration of a patio in Cordoba using different types of flowers.
Participating in the festival. The Fiesta of the Patios, the unique result of thesymbiosis between community and nature, announces spring every May and recallsits values: hospitality, respect, equality, solidarity and sustainability.
The Solitaire (Pezophaps solitaria) was said to ...make a great noise withtheir wings when angry, and the noise is something like thunder in thedistance. (1891)
Whales entering rivers intentionally, possibly to rest or to get rid of marine parasites in fresh water, may have been a more common phenomenon in the past. This humpback whale calf and its mother entered the Sacramento River, California in 2007.
The Imperial woodpecker (Campephilus imperialis) which threw himself over on his tail, with outspread wings, presenting a warlike front of threatening beak and talons. This pair are displayed in the Naturhistorische Landessammlung Wiesbaden, Germany.
The ‘peculiar manners’ of Erythromachus leguati included the phenomenon that If you offer them anything that is red, they are so angry that they will fly at you to catch it out of your hand. Only its bones survive. (1879)
The Kagu (Rhynochetos jubatus) is also known as the ‘Ghost of the Forest’. Its calls are echoed in the traditional songs and dances of New Caledonia.
Rock paintings of domestic and wild animals at the World Heritage Site of Tadrart Acacus in Libya. The tangible and intangible properties of the natural species inspired human artists.
The Passenger pigeon migrated in immense flocks in search of food. This may still affect the species composition of some forests.
Whale skeletons found in Wadi al-Hitan, Egypt, give us an insight into these creatures’ anatomy but their behaviour remains unknown to us.
Mayan names.Photo: by permission of Eva Chaire, October 2013.
Mrs Rosa Yam showing a hipil.
The dough is wrapped in banana leaves.
Covering the earth oven to cook the pibipollos.
Wooden cross on top of bones.
Cleaning and dressing the bones.
Image of the Immaculate Conception of the Virgin Mary.
Bones exposed at the cemetery in a family ossuary. Photo: by permission of Eva Chaire, October 2013.
Mr Rafael Pérez Novelo in his bakery ‘Pomuch’s Bread’.
Parish Church of the Immaculate Conception of the Virgin Mary.
A Pirotski Kilim - a traditional Serbian carpet, Ethnographic Museum, Belgrade.
Opanak making demonstration at the Belgrade International Tourism Fair in 2015.
Rug making at Pirot, Biznis & Finansije, January, 2015. Source: http://bif.rs/
Ornamented wooden panel carved using traditional techniques and tools.
Student carving the capital of a marble column using traditional techniques and tools.
Traditional fireplace embellished with geometricmotifs carved in tuff stone using traditionaltechniques and tools.
Building master working on the model of the carved-out settlementin tuff stone using traditional techniques and tools.
Master and apprentice carving the motifs on the wooden panelusing traditional techniques and tools.
Ornamental marble column carved using traditional techniques and tools.
Carving motifs on the niche using traditional techniques and tools.
Master and apprentice drawing motifs on the flat wooden panel.
Ornamented niche carved in tuff stone using traditional techniques and tools.
The International Women's Forum at the second ICCN Festival.
Jojeonje morning ritual at the Gangneung Danoje festival.
Tango performance at the first ICCN Festival.
Street parade at the Gangneung Danoje festival.
Street parade during the first ICCN Festival.
Ceremony at Neak Poan – praying for rain, day 1 of the ceremony.
Neak Poan and its water basins.
Fishing in the North Baray.
Ceremony at Neak Poan - praying for rain, day 2 of the ceremony.
Neak Poan and its water basins.
Angkor Wat, aerial and general views.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Fishing in the North Baray.
Tourists boating on the North Baray.
Detail of the 9th century Bampenh Reach spillway which directed water to the Capital, Roluos (later to Angkor) showing details of the grooves in the laterite blocks.
Angkor Wat, aerial and general views.
Nezha’s style is very diverse as his followers are very creative in dressing him.
Children like having their photos taken with Nezha.
Followers have given Nezha white gloves to wear which look very cute.
Sometimes followers invite Techno Nezha to join in their celebrations.
Techno Nezha dancing to heavy electronic dance music.
Crowds gather at Sinying Taizih Temple for the ceremony.
Techno Nezha patrolling the street wearing modern dress.
Techno Nezhas riding motorcycles through the streets.
Nezhas wearing big modern triangular glasses.
On the way to visit the shrine after Eid prayers.
An example of an old house in Suakin showing the fine woodwork.
A local boat building yard.
Showing the enduring relationship the Suakinese have with the sea.
A congregation attending Eid prayers.
Showing the enduring relationship the Suakinese have with the sea.
Locally made, vibrantly coloured boats.
Irrigation channels in a multi-crop garden.
A farmer shows water flowing into the general reservoir from which distribution begins.
Irrigation channels in a multi-crop garden.
A public gathering on a farm to discuss irrigation matters.
A closed community meeting to discuss the division of an electricity bill.
An improvised garden majlis for meetings of the farming community.
A farm worker redirects the flow of water by closing off a channel with old rags.
Irrigation channels in a palm garden.
Detail from The Battle Between Carnival and Lent (1559) by Pieter Bruegel I (oil on panel).
The Village Kermis (1567), also known as The Peasant Dance, by Pieter Bruegel I (oil on panel).
Kermis van Hoboken by Pieter Bruegel I, Frans Hogenberg and Bartholomaus de Momper (engraving).
The Battle Between Carnival and Lent (1559) by Pieter Bruegel I (oil on panel).
Wedding Banquet (1567) by Pieter Bruegel I (oil on panel).
Netherlandish proverbs (1559) also known as The Blue Cloak by Pieter Bruegel I (oil on panel).
Children’s Games (1560) by Pieter Bruegel I (oil on panel).
Kok-Bal (traditional wrestling on horseback) at the Ulgii Festival in 2012.
Local shops selling traditional arts and crafts at the Ulgii Festival in 2012.
The eagle ‘recall’ contest at the Ulgii Festival in 2012.
The Master Komarkhan, one of the most famous eagle hunters, taken at the Ulgii Festival in 2006.
The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.
One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.
Villagers in an open space/pasture being entertained by a masked stilt walker and band and a lady dancing to the music,1880s.
‘Spot and Pull’ Tuna Trap of Conil (Cádiz), 1765. Hand-drawn map where the stages of this kind of fishery are explained. The actions and tasks involved are represented in a two part sequence (the first operations are drawn at the top, the following ones at the bottom). The look-out towers (torres vigía) are shown.
An Asian worker cutting and filleting tuna in Barbate: the so-called ronqueo, which is the basis for the species use as food.
Quema [burning] de Juan y Juana festival (St John’s Day) has traditionally marked the end of the inbound fishing season. It is still celebrated today by the group of workers from Huelva province employed at the Zahara de los Atunes fishery, in the town of Barbate in Cadiz province.
Tuna fishing - a reflection by Salvador Dali on the struggle between Man and Nature along the Iberian Mediterranean coast. (304 x 404 cms)
Barbados one dollar coin.
Logo of the Barbados Tourist Authority.
Fish processor at Oistins fish market.
Flying fish sculpture at the Grantley Adams International Airport.
A four-winged flying fish.
Tinted engraving of flying fish, Stewart.
Boat with screelers and gill net.
Raglan Under Siege 1646 – a historical augmented reality trail.
Casgliad y Werin Cymru/ People's Collection Wales Hub on the Digital Heritage Zone in Second Life.
Raglan Under Siege - digital content options available through the Layar augmented reality application.
Virtual reconstruction of Newport Ship located in the submerged part of the Medieval Newport Virtual Museum in Second Life.
Flavius Rufinus, Centurion of the Second Augustan Legion interpretative guide to Caerleon.
The South Wales Centre for Historical and Interdisciplinary Research’s virtual home in Second Life.
Reclaiming King Arthur - The Legend in the Landscape webcast.
The statue of St. Nicholas being carried in procession.
Burning a wooden boat outside St. Nicholas Church (est. c.1000 AD)
Wooden boats chosen for incineration on the beach at Komiža.
St. Nicholas' Church, once a Benedictine Abbey.
Three boats burning in front of St. Nicholas' Church.
The mambabasa (chanters) chanting the Passion of Christ in front of the images of the non-processional Santo Entierro (left) and the Nazareno of the Tercera Caida(right).
The carroza of the Santo Entierro is decorated with sampaguita garlands in preparation for the Good Friday procession.
The silver carroza of Our Lady of Sorrows being prepared for the Holy Wednesday procession.
A child dressed as an angel lifts the mourning veil of Our Lady during the Salubong ('encounter'), the early morning procession on Easter Sunday.
The carrozas that carry the images waiting in the courtyard of the church at Cabiao before the start of the procession.
The images of Christ and the angel from the carroza of The Agony in the Garden were carved by Adrian Cristobal.
The Nazareno of the Tercera Caida being prepared for the Holy Wednesday procession.
The silver carroza of Saint John is decorated with lotus flower motifs.
Windy clouds over Mount Montseny.
Two fishermen in the tavern at the Port of Arenys.
Wall of cloud in the east.
Wind from the land (Vent Terral).
S.W. wind seen from the fishing boat Tramuntana.
Windy day seen from the fishing boat Tramuntana.
White horses (Esqueixalls.
A falconer wearing traditional dress, on horseback with his eagle.
The opening ceremony of the 2012 Golden Eagle Festival.
Scanning the countryside for prey, 2011.
An eagle with the fox it has just caught.
Center for Language Diversity – the ASK REAL digital archive.
A scene from the field research project on the Dolgan language in Yakutsk, Sakha.
A performance by one of the participating groups on the stage in the exhibition.
A space where visitors could listen to versions of Arirang.
A display of products which bear the brand name ‘Arirang’.
A visual showing someone from one of the participating communities.
The chanting procession, with the women, taking part, going to the exhibition hall of the Don Bosco Museum of Cultures.
Agostinho Eibajiwu and Ailton Meri Ekureu sing and dance around the human remains in the entrance hall of the Don Bosco Museum of Cultures.
The moment before the human remains were placed in the ‘path of the souls’ showcase.
The ‘path of the souls’, the imaginary line that divides a village into north and south, represented by a showcase in the exhibition hall.
The chief chanter, Helinho Kuruguga, performing the Roia Kurireu (the great chant).
Liberio Uiagomeareu, Kleber Meri Tororeu and Orlando Kuira preparing the human remains for the chanting ritual in the entrance hall of the Don Bosco Museum of Cultures.
Boy trying out a new accordion at the Tejano Conjunto Festival en San Antonio.
Father and son jam with bajo sexto and accordion at the Tejano Conjunto Festival en San Antonio.
Two musicians informally jamming at the Tejano Conjunto Festival en San Antonio.
Juan Tejeda shows off the annual institution he created, at the Tejano Conjunto Festival en San Antonio.
Mrs. Vera Hubicki, the gingerbread maker from Marija Bistrica, Croatia.
Exhibition opening at the new Centre for Traditional Crafts in Ptuj, Slovenia.
Mr. Vilko Kukec, a trough maker from the village of Selnica Gornja, Croatia
Tourists learning to paint Patachitra at the POT Maya festival in village of the Patuas.
Descendance Aboriginal and Torre Strait Islanders Dance Theatre, Indigenous people Honouring the Past, Presence and Future 17 May 2006.
Fresco technique workshop in Alamos. Artwork by Elena Valdes.
Orkhan Huseynov, Layli Majnun, 2005. Oil on canvas. Inv.no. 6244-1.
Metin Özlen, ‘Witch Granny’, late 1970s. Dye on leather. Inv.no. 6243-23.
Ahmad Khalili, Layli and Majnun, 2006. Oil on canvas. Inv.no. 6256-1.
Metin Özlen, Qays and Layla, late 1970s. Dye on leather. Inv.no. 6243-15, 6243-14.
Metin Özlen, Zebani, late 1970s. Dye on leather. Inv.no. 6243-8.
Metin Özlen, Karagöz and Hacivat, late 1970s. Dye on leather. Inv.no. 6243-12, 6243-11.
Metin Özlen, Qays and Layla, late 1970s. Dye on leather. Inv.no. 6243-15, 6243-14.
Metin Özlen, Karagöz and Hacivat, late 1970s. Dye on leather. Inv.no. 6243-12, 6243-11.
Metin Özlen, Majnun the madman, late 1970s. Dye on leather. Inv.no. 6243-16.
Metin Özlen, ‘Layla’s father’, late 1970s. Dye on leather. Inv.no. 6243-18.
Young musician performing in a Northumbrian Smallpipe competition in Alnwick, Northumberland
John Ole Tingoi facilitating the WIPO and ILO consultation with the community, Il Ngwesi.
Cultural demonstrators performing a traditional dance at the museum.
An immigrant informant narrates her own life story in the school class.
Each exhibit was accompanied by a relative short story which was written by the students.
Example of a photo-mosaic depicting the cultural environment from which children are derived
An immigrant student describes the trip of an immigrant who travelled from Skiathos to United States in 1895.
The section of the exhibition that featured stories about the traditions observed by communities that border the turnpike.
The section of the exhibition that juxtaposed a TV tray and frozen dinner with a TV showing movie and television excepts of family dinners and raised issues relating to the viability of the family dinner in contemporary society.
A photograph of a group of the first responders from New Jersey, volunteers who answered the call for help at the World Trade Center on the morning of September 11th.
The section of the exhibition that displayed photos and told stories relating to the chow mein noodles sold to benefit the Japanese community's Buddhist temple in Seabrook, New Jersey.
This one depicts the introductory area of our "Teenage New Jersey" exhibition.
A photograph of "the pile" as the debris at the World Trade Center site was called by the rescue workers as well as a hard hat and boots given to the Historical Society's historian during the oral history interview she did with one of the workers.
An image of the sideboard whose drawers represented different family traditions and displayed foodstuffs, spices, and utensils used in the preparation or consumption of each.
A general illustration for the exhibition.